Few would argue that channelling hard work and talent into building a good career and securing home ownership isn’t commendable. Yet something deep down tugs at the conscience for many for whom hard work and talent weren’t all there was. There was that time when, fired from that temp job or struggling under that artist internship, Mum shouted you lunch before slipping you a brown envelope containing two week’s rent, whispering ‘let’s not tell Dad about this.’ That next week Dad took you shopping for an interview outfit, assuaging your guilt with the words ‘keep this from Mum.’ Then, during the interview, the boss and yourself learnt you both went to the same school and made snide jokes about your ancient, socks-with-sandals-wearing Latin teacher – which probably helped you get the job. Last year, when you participated in that newspaper article celebrating young homeowner ‘good news’ stories, you failed to mention how Mum and Dad helped pay the loan deposit and acted as guarantors, which buffered you during the hit and miss first six months with the new baby and enabled you to make the monthly mortgage payments.
Q&A | Lisa Crawley: Melbourne, Weddings, & Elizabeth
From performing ‘Livin’ La Vida Loca’ in hotel bars in Japan to sharing the bill with the likes of Paul Weller and Simply Red – and keeping it all oiled with regular gigs moonlighting as a wedding singer – Lisa Crawley’s mastered her own musical destiny from day dot. Having just completed a residency at the renowned Banff Centre for Arts and Creativity, she’s about to open, and star in, the stageshow Elizabeth, which she co-wrote with acclaimed Kiwi playwright Rochelle Bright. Sarah checked in with Lisa about being a lady striking out alone, the Melbourne music scene, and her latest single ‘Wedding Band’.